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“In the non-COVID times, this series would not have existed. I’ve managed to raise enough money that (the artists) get pretty decent salaries, “said St. John, 50.” It worked and I think it helped a lot of colleagues. “
In April St. John played their first in-person concert with the Toledo (Ohio) Symphony in front of a limited audience. Tucson will be her first appearance in a room that doesn’t limit the size of the audience. However, the TSO requires viewers to provide proof of vaccination or a negative COVID test before they can watch the performances on Friday September 24th and Sunday September 26th.
It is St. John’s first concert with the orchestra since 2007, when she played her first Korngold violin concerto.
“I have great memories of Tucson. It’s a long way from my memory bank, ”she said.
This weekend, St. John is visiting an old friend in Piazzolla’s “Four Seasons of Buenos Aires”, the Argentine composer’s tango version of Vivaldi’s epic “Four Seasons”.
“I’ve had a connection not only with ‘Four Seasons’ but also with Argentine music and Venezuela for decades, so it’s kind of cool,” said St. John, whose father was strangely passionate about tango and Argentine music when she grew up in Canada on.
“What kind of weird little Canadian girl was,” she said.
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